John Hendrick || Photographer 3/9/26 John Hendrick || Photographer 3/9/26

When There’s Nothing to Photograph

John Hendrick || Photographer 1/31/26 John Hendrick || Photographer 1/31/26

Learning in Public

John Hendrick || Photographer 1/16/26 John Hendrick || Photographer 1/16/26

When Color Leaves, Structure Speaks

John Hendrick || Photographer 1/10/26 John Hendrick || Photographer 1/10/26

When Form Starts Asking Questions

John Hendrick || Photographer 1/5/26 John Hendrick || Photographer 1/5/26

Lightroom vs Capture One Is the Wrong Question

John Hendrick, Street Photographer 12/1/25 John Hendrick, Street Photographer 12/1/25

A Signal in the Noise

John Hendrick, Street Photographer 11/28/25 John Hendrick, Street Photographer 11/28/25

My Dream Camera Set Up

My Dream Camera & Set Up. Why is it my dream camera, has it changed anything?

John Hendrick || Photographer 8/10/25 John Hendrick || Photographer 8/10/25

Interwoven Cities at Bright Coffee

John Hendrick, Street Photographer 7/31/25 John Hendrick, Street Photographer 7/31/25

First Installment of COLOR CODED / 001: YELLOW

Yellow isn’t just a color, it’s a signal. In this free downloadable guide, I explore how yellow commands attention, evokes memory, and adds intention to your images. First in the COLOR CODED series.

John Hendrick, Street Photographer 7/27/25 John Hendrick, Street Photographer 7/27/25

Why Color Still Matters

Yellow Street Photography San Antonio – Color Theory in Urban Light by John Hendrick

John Hendrick, Street Photographer 7/21/25 John Hendrick, Street Photographer 7/21/25

NEXUS: Leica Lenses, Evolving Vision, and a Gallery in Progress

If you read my last post (Finding My Frame), you already know how this city held space for me to rebuild after two decades of motion. But this post isn’t about the beginning…

John Hendrick, Street Photographer 7/17/25 John Hendrick, Street Photographer 7/17/25

Finding My Frame: Six Years of Walking San Antonio with a Leica

After six years of photographing downtown San Antonio with a Leica in hand, I’ve learned to see the city differently, through light, rhythm, and memory.

Notes from the Search